Latest Entries »

I. For Lords and Lamas

Along with the blood drenched landscape of religious conflict there is the experience of inner peace and solace that every religion promises, none more so than Buddhism. Standing in marked contrast to the intolerant savagery of other religions, Buddhism is neither fanatical nor dogmatic–so say its adherents. For many of them Buddhism is less a theology and more a meditative and investigative discipline intended to promote an inner harmony and enlightenment while directing us to a path of right living. Generally, the spiritual focus is not only on oneself but on the welfare of others. One tries to put aside egoistic pursuits and gain a deeper understanding of one

III. Exit Feudal Theocracy

As the Shangri-La myth would have it, in old Tibet the people lived in contented and tranquil symbiosis with their monastic and secular lords. Rich lamas and poor monks, wealthy landlords and impoverished serfs were all bonded together, mutually sustained by the comforting balm of a deeply spiritual and pacific culture.

One is reminded of the idealized image of feudal Europe presented by latter-day conservative Catholics such as G. K. Chesterton and Hilaire Belloc. For them, medieval Christendom was a world of contented peasants living in the secure embrace of their Church, under the more or less benign protection of their lords.55 Again we are invited to accept a particular culture in its idealized form divorced from its murky material history. This means accepting it as presented by its favored class, by those who profited most from it. The Shangri-La image of Tibet bears no more resemblance to historic actuality than does the pastoral image of medieval Europe.

Seen in all its grim realities, old Tibet confirms the view I expressed in an earlier book, namely that culture is anything but neutral. Culture can operate as a legitimating cover for a host of grave injustices, benefiting a privileged portion of society at great cost to the rest.56 In theocratic feudal Tibet, ruling interests manipulated the traditional culture to fortify their own wealth and power. The theocracy equated rebellious thought and action with satanic influence. It propagated the general presumption of landlord superiority and peasant unworthiness. The rich were represented as deserving their good life, and the lowly poor as deserving their mean existence, all codified in teachings about the karmic residue of virtue and vice accumulated from past lives, presented as part of God

Notes:

  1. Mark Juergensmeyer, Terror in the Mind of God, (University of California Press, 2000), 6, 112-113, 157.
  2. Kyong-Hwa Seok, “Korean Monk Gangs Battle for Temple Turf,” San Francisco Examiner, 3 December 1998.
  3. Los Angeles Times, February 25, 2006.
  4. Dalai Lama quoted in Donald Lopez Jr., Prisoners of Shangri-La: Tibetan Buddhism and the West (Chicago and London: Chicago University Press, 1998), 205.
  5. Erik D. Curren, Buddha’s Not Smiling: Uncovering Corruption at the Heart of Tibetan Buddhism Today (Alaya Press 2005), 41.
  6. Stuart Gelder and Roma Gelder, The Timely Rain: Travels in New Tibet (Monthly Review Press, 1964), 119, 123; and Melvyn C. Goldstein, The Snow Lion and the Dragon: China, Tibet, and the Dalai Lama (University of California Press, 1995), 6-16.
  7. Curren, Buddha’s Not Smiling, 50.
  8. Stephen Bachelor, “Letting Daylight into Magic: The Life and Times of Dorje Shugden,” Tricycle: The Buddhist Review, 7, Spring 1998. Bachelor discusses the sectarian fanaticism and doctrinal clashes that ill fit the Western portrait of Buddhism as a non-dogmatic and tolerant tradition.
  9. Dhoring Tenzin Paljor, Autobiography, cited in Curren, Buddha’s Not Smiling, 8.
  10. Pradyumna P. Karan, The Changing Face of Tibet: The Impact of Chinese Communist Ideology on the Landscape (Lexington, Kentucky: University Press of Kentucky, 1976), 64.
  11. See Gary Wilson’s report in Worker’s World, 6 February 1997.
  12. Gelder and Gelder, The Timely Rain, 62 and 174.
  13. As skeptically noted by Lopez, Prisoners of Shangri-La, 9.
  14. Melvyn Goldstein, William Siebenschuh, and Tash

 

II. Secularization vs. Spirituality

What happened to Tibet after the Chinese Communists moved into the country in 1951? The treaty of that year provided for ostensible self-governance under the Dalai Lama

The music of Tibet reflects the cultural heritage of the trans-Himalayan region, centered in Tibet but also known wherever ethnic Tibetan groups are found in India, Bhutan, Nepal and further abroad. First and foremost Tibetan music is religious music, reflecting the profound influence of Tibetan Buddhism on the culture.
View full article »

Rugs

Tibetan rug making is an ancient art and craft in the tradition of Tibetan people. These rugs are primarily made from tibetan highland sheep‘s virgin wool. The Tibetan uses rugs for almost any domestic use from flooring to wall hanging to horse saddles.

The process of making tibetan rugs is unique in the sense that almost about everything is done by hand. But with the introduction of modern technology, a few aspects of the rug making processes have been taken over by machine primarily because of cost, disappearance of knowledge etc. However some new finishing touches are also made possible by machine.

With Tibet’s occupation by Chinese communists in early 1950, Tibetan refugees started migrating to India and Nepal. With them they also brought their knowledge of rug making. Currently in Nepal the rug business is one of the largest industries in the country and there are many rug exporters.

View full article »

The days of the week are named for celestial bodies.

Day Tibetan (Wylie) Phonetic transcription Object
Sunday ????????? (gza’ nyi ma) Sa nyi-ma Sun
Monday ????????? (gza’ zla ba) Sa da-wa Moon
Tuesday ???????????? (gza’ mig dmar) Sa Ming-mar Mars
Wednesday ?????????? (gza’ lhak pa) Sa Lhak-pa Mercury
Thursday ??????????? (gza’ phur bu) Sa Phur-bu Jupiter
Friday ?????????? (gza’ pa sangs) Sa Pa-sang Venus
Saturday ??????????? (gza’ spen pa) Sa Pen-pa Saturn

Nyima “Sun”, Dawa “Moon” and Lhakpa “Mercury” are common personal names for people born on Sunday, Monday or Wednesday respectively.

View full article »

The Tibetan folk opera, known as Ache Lhamo, which literally means “sister goddess”, is a combination of dances, chants and songs. The repertoire is drawn from Buddhist stories and Tibetan history.

The Tibetan opera was founded in the 14th century by Thangthong Gyalpo, a Lama and a bridge builder. Gyalpo and seven recruited girls organized the first performance to raise funds for building bridges, which would facilitate transportation in Tibet. The tradition continued, and llhamo is held on various festive occasions such as the Linka and Shoton festival.

The performance is usually a drama, held on a barren stage, that combines dances, chants and songs. Colorful masks are sometimes worn to identify a character, with red symbolizing a king and yellow indicating deities and lamas.

The performance starts with a stage purification and blessings. A narrator then sings a summary of the story, and the performance begins. Another ritual blessing is conducted at the end of the play.

View full article »

Tibetan art is deeply religious in nature, a form of sacred art. From the exquisitely detailed statues found in Gompas to wooden carvings to the intricate designs of the Thangka paintings, the over-riding influence of Tibetan Buddhism on culture and art can be found in almost every object and every aspect of daily life.

Tibetan art is deeply religious in nature, a form of sacred art. From the exquisitely detailed statues found in Gompas to wooden carvings to the intricate designs of the Thangka paintings, the over-riding influence of Tibetan Buddhism on culture and art can be found in almost every object and every aspect of daily life.

The art of Tibet may be studied in terms of influences which have contributed to it over the centuries

Greek influence brought by Alexander the Great

The conquests of Alexander the Great brought Greek art influences to India in the 4th century BC. The Greek skill in statuary influenced Buddhist centers in present day Afghanistan and Pakistan and led to a new Greco-Buddhist synthesis. Whereas the Buddha did not previously have a standardized statuary representation, the Greek models inspired both bronze and stone statues of the Buddha to be created for temple use.

View full article »

The Cuisine of Tibet is quite distinct from that of its neighbours, since only a few crops (not including rice) grow at such high altitude. The most important crop is barley. Dough made from barley flour, called tsampa, is the staple food of Tibet. Meat dishes are likely to be yak, goat, or mutton, often dried, or cooked into a spicy stew with potatoes. Mustard seed is cultivated in Tibet, and therefore features heavily in its cuisine. Yak yoghurt, butter and cheese are frequently eaten, and well-prepared yoghurt is considered something of a prestige item.

Other Tibetan foods include:

  • Thenthuk – a type of cold-weather soup made with noodles and various vegetables.

In larger Tibetan towns and cities many restaurants now serve Sichuan-style Chinese food. Western imports and fusion dishes, such as fried yak and chips, are also popular. Nevertheless, many small restaurants serving traditional Tibetan dishes persist in both cities and the countryside.

Tibetan kitchen items. Note the small size of the butter churn, with shoulder strap, suitable for nomadic life. Field Museum

Tibetan kitchen items. Note the small size of the butter churn, with shoulder strap, suitable for nomadic life. Field Museum

Jasmine tea and yak butter tea are drunk. Alcoholic beverages include:

  • Chang, a beer usually made from barley
  • Raksi, a rice wine

View full article »